She's the Man Critic Reviews

Metascore®:

50 =
Based upon 13 Critic Reviews
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Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Of Amanda Bynes let us say that she is sunny and plucky and somehow finds a way to play her impossible role without clearing her throat more than six or eight times.Read the full review

USA Today | Claudia PuigAdd Critic to Favorites

This is a perfectly pleasant, entertaining and often witty romp with engaging performances.Read the full review

Boston Globe | Wesley MorrisAdd Critic to Favorites

A screwball comedy that made me wish I were 13 again, because this is precisely the kind of movie I would have gone nuts for in the ninth grade.Read the full review

Los Angeles Times | Carina ChocanoAdd Critic to Favorites

So good-natured, and its cast seems to enjoy itself so thoroughly, that the total annihilation of disbelief it requires winds up feeling like a reasonable enough request.Read the full review

San Francisco Chronicle | Ruthe SteinAdd Critic to Favorites

Has a certain charm and is sure to appeal to tweens, at least the female variety.Read the full review

Washington Post | Desson ThomsonAdd Critic to Favorites

Another gate-crasher at the let's-do-a-mediocre-update-of-Shakespeare party.Read the full review

Variety | Robert KoehlerAdd Critic to Favorites

As insistent as its heroine to get its point across, She's the Man gathers up enough energy and likeable goodwill that it almost skirts past some extremely strained passages in which Bynes plays out being a boy.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

As an actress, Bynes is wholesome to a fault. She impersonates a teenage boy yet never gives him one good dirty thought.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

Neither smart enough nor funny enough to have cross-over appeal to any other demographic.Read the full review

The New York Times | Nathan LeeAdd Critic to Favorites

Everything projects as if for the benefit of a nearsighted and dimwitted ticket holder at the back of the room. To his credit, Mr. Fickman has mastered one device unique to the cinema, making repeated use of the corny training montage.Read the full review

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