Elizabethtown Reviews

What's sad is that Elizabethtown contains two GREAT sequences.

Think of Elizabethtown as Cameron Crowe's rambling amateur travelogue, one from a well-liked professional filmmaker momentarily so distracted by private notes scrawled on his souvenir map that he gets lost en route to telling his story of self-renewal. This undershaped, overlong warmedy is an homage to the memory of his late father.

For all sort of reasons, I was disappointed that there is barely anything of Bruce McGill as the family's hearty swindler. And there is too much of Sarandon, whose big scene--a speech at her late husband's memorial service, complete with jokes and a tap dance--is the movie's most egregious misfire.

Tedious humor and sentimentality bury what could have been a pretty good road picture.

Audiences of a certain hipster disposition, in fact, will see Elizabethtown and pine for Zach Braff's ''Garden State," the movie to which Elizabethtown bears an unfortunate and inferior resemblance.

The film's problems lie with the lack of spark between a wired Dunst and a bland Bloom, and the meltdown of Drew's mother (Susan Sarandon), who grieves by tap-dancing.

It's hard to believe the creative mind that gave us "Almost Famous," "Jerry Maguire," "Say Anything" and "Fast Times at Ridgemont High" looked up with satisfaction after typing 117 pages of this.